TOSHIMICHI KATO 1958–2019

Toshimichi Kato

The 13th generation of OUJIGAMA. Born in Seto in 1958, he studied three-dimensional design at Tama Art University and joined OUJIGAMA at 26.

Toshimichi Kato, 13th generation
Toshimichi Kato in the workshop InstagramInstagram (external site, opens in a new tab)

PROFILE

Year
1958 Born in Seto, Aichi Prefecture
1977 Graduated from Aichi Prefectural Seto Ceramics High School
1981 Graduated from the Department of Three-Dimensional Design, Tama Art University
1984 After university, trained under ceramic artists for one year in Tokyo and two years in Kyoto; joined OUJIGAMA at the age of 26
2006 Succeeded his father, Kanji Kato, as head of OUJIGAMA following his passing
2019 Passed away

WORKS

While Shino glaze had long been central to OUJIGAMA's work, Toshimichi Kato also explored a wide range of new glazes, including momo-shino (peach Shino), ao-shino (blue Shino), blue-grey glaze and moon-white glaze.

He was particularly fond of the hyōtan, or gourd form, which appears frequently in his work. By adding distinctive handles, or "ears," he created designs with an original character. In Japan the gourd is a symbol of good fortune: three gourds together stand for sanbyōshi — a play on the words for "three gourds" and "three-beat rhythm" — and six gourds are called mubyō, which sounds like the word for "freedom from illness," making them a charm for good health and protection.

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SELECTED HISTORY

Year
1985 Selected for the Contemporary Art Exhibition / Selected for the Asia Contemporary Art Exhibition
1986 Selected for the Contemporary Art Competition / Selected Works Exhibition, Japan Kokuji Exhibition
1987 Selected for the Object Tokyo Exhibition / Kyoto Prefectural Board of Education Award, Japan General Art Exhibition / Exhibited at a ceramics exhibition in Florence, Italy / Commissioned ceramic panel for the Japan Highway Public Corporation
1988 Encouragement Award, Aichi Ceramics Industry Association Exhibition
1989 Award of Excellence, Japan General Art Exhibition / Selected for the Kofukai Exhibition / Selected for the Shin Nihon Bijutsuin Exhibition
1991 Ceramics Biennale — work acquired by The Chunichi Shimbun
1997 Ceramics Biennale — selected
1999 Exhibited at the Saitama Modern Art Exhibition
2004 Selected for The Spirit of Oribe Ceramic Art Exhibition / Work acquired for the permanent collection of the Government of Singapore / Solo exhibition at Shizuoka Isetan
Several other solo, curated and group exhibitions
2020 Work acquired by The Noguchi Museum, New York ↗ (external site, opens in a new tab)

Related pages About OUJIGAMA / Our kilns and history / Seto ware